A graduate of the Yehudi Menuhin School, Cambridge University, and Berlin's UdK, British-German violinist and violist Max Baillie is sought after as soloist, chamber musician, and orchestral leader in the UK and abroad.
Max's musical life reflects his interest in the cross-pollination of musical styles. Artists has worked with include Steve Reich, Mischa Maisky, Bjork, John Williams, Thomas Adès, Bobby McFerrin, Zakir Hussain, James Thierrée, and many more. From folk tunes in the Welsh hills to major festivals across the world, Max leads a dynamic life which embraces classical, improvisation, contemporary, and experimental music.
As regular guest-director of Swiss chamber orchestra CHAARTS he has toured with artists including Mischa Maisky and Fazil Say, in Switzerland, Germany, and China, and has recorded for Sony and Berlin Classics. In February 2021 he went to Glasgow to direct a socially-distanced meeting of the Scottish Ensemble in Glasgow, including music of his own.
Max plays in ZRI, a quintet drawing together the folk and gypsy influences in works by Brahms, Schubert, and Janacek, and which was inspired by the Red Hedgehog Tavern: a Viennese gateway to the East as well as a favourite drinking hole. Together they have played at festivals across the UK and in Europe and most recently appeared as featured artists and on Swiss radio at the Boswil Sommerfest. They also tour their own live score to Charlie Chaplin's early classic 'The Adventurer'. ZRI looks forward to releasing its 3rd album later in 2021.
Max also founded Lodestar Trio with stars of the Scandinavian folk scene Erik Rydvall and Olav Mjelva, exploring Baroque music through the meeting of violin, Swedish nyckelharpa, and Norwegian hardanger fiddle, and with whom he will record the group's debut disc for a brand new flagship series of releases for Naxos later in 2021.
Max is a regular at chamber music festivals, which in the last few years have included SoNoRo in Romania and Italy, Natalie Clein's Purbeck International Chamber Muisc Festival, Lawrence Power’s West Wycombe Chamber Music Festival, and plays regular duo concerts with his father, cellist Alexander Baillie, including touring the Brahms Double concerto with national orchestras of South Africa. For almost 10 years Max has played with Notes Inegales, an innovative contemporary music and improvisation group which invites diverse musical guests for each of their club nights near Euston, including regular slots for the London Jazz Festival.
Max is one half of Sonnen, an experimental electronic music duo with Vahakn Mattosian which has just taken part in Snape Maltings' Festival of New in February 2021 following their residency last October.
Max is a Bach fanatic, and particularly during lockdown has been working on a series of videos of performances, re-imagined versions, and re-visualisations of Bach's solo works for strings.
Max's teachers include Natasha Boyarsky, Itzhak Rashkovsky, and Ivry Gitlis. He plays the mandolin, and graduated Christ’s College, Cambridge, with a first class degree in Political Philosophy.
Concerts & Events 2021
27 FEB / Sonnen @ Festival of New, Snape Maltings (online)
15 - 19 MAR / Lodestar Trio @ Roros Folk Festival, Norway CANCELLED DUE TO COVID 19
25 MAR / Manchester Collective @ BBC Broadcast
15 APR / Duo recital with Robin Michael for Hay Music (online)
6/7 MAY / Clod Ensemble (online)
14 MAY / Lodestar Trio @ Tivoli Vredenburg, Netherlands
4 JUN / Lodestar Trio @ Halvorsen Musikkfest, Norway
5 JUN / ZRI @ Hertford Festival
15 JUN / Arcangelo @ Wigmore Hall, London
19 JUN / The Music Critic with John Malkovich, Istanbul
27 JUN - 2 JUL / Boswil Sommerfest, Switzerland
26 - 30 JUL / Oremandsgaard Chamber Music Festival, Denmark
14 AUG / ZRI @ Alpentöne Festival, Switzerland
30 AUG / Arcangelo @ Liszt Academy, Budapest
6 OCT / ZRI @ Peak District
9 OCT ZRI @ Crowborough Arts
‘…an exquisitely executed rendition, and one which had its audience utterly transfixed.’
– Julia Savage | Review on Bachtrack of Bach’s Chromatic Fantasy played at Kings Place
‘Max Baillie’s gutsy viola playing was a particular delight’
– Geoff Brown, The Times
‘Most impressive was violinist Max Baillie, who sounded exactly how I imagine the fiddler
in a Chagall painting would sound. For a pale Englishman that’s quite a feat.'
– Ivan Hewett | Kafka’s Wound review